FIAR 1000. Observational Drawing 1. 3 cr. hrs.

A one-term course in which students meet twice weekly and will be introduced to the visual language of drawing. How the parts of the drawing relate to each other and to the composition as a whole is explored while each student strives to develop skills using traditional black-and-white media. One-half of the course places primary emphasis on depicting the human form; the other half places emphasis on depicting objects in space. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [F100].

FIAR 1100. Visual Dynamics 1: Concept, Process and Composition. 3 cr. hrs.

Visual Dynamics 1 is a problem solving course in which the student investigates the dynamic visual forces involved in composing on a two-dimensional plane. Students explore the interrelationships of composition, process, perception and intention. The course broadens the student's skill level in idea development, research strategies, and technique through the understanding and application of concepts, processes and the visual language. One-third of the semester is spent in a digital environment introducing the student to the computer lab and digital imaging. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [F110].

FIAR 1110. Visual Dynamics 2: Color, Light and Time. 3 cr. hrs.

Visual Dynamics 2 is a problem-solving course that builds on the visual exploration begun in FIAR 1100 with a concentration on issues of color and time. Color and light are explored as a visual phenomenon, as a perceptual occurrence, as pigment with specific mixing properties, and as an element with powerful expressive and symbolic potential. Time, the fourth dimension, is investigated through problems dealing with simultaneity and sequentiality. The range of tools includes traditional materials/mediums and digital imaging. One-third of the semester is spent working in a digital environment. Prereq: FIAR 1100; Cons of dept. Fee paid to MIAD. MIAD # [F111].

FIAR 1120. Research, Practice and Methods 1. 3 cr. hrs.

In Research, Practice and Methods (RPM), students investigate strategies for effective communication. Each course emphasizes process and creative problem solving - appropriately using inquiry and conduct in-depth research to promote the development of their own studio practice within a historical, cultural, and personal context. The student chooses a selective from a variety of offerings. RPM selectives deal with concepts fundamental to many disciplines. These courses focus on a specific theme or issue to contextualize the student's learning and promote a deeper understanding of one's personal creative process. Students actively engage in various research practices to develop critical thinking and nurture their commitment to communicating ideas in a substantive way. Sample Course Offerings: Design and the Elastic Mind, Interpersonal Chronicles, Outrage and Tradition, Daily Media Feeds, Chance and Improvisation. MIAD # [F120].

FIAR 1300. Space, Form and Materials. 3 cr. hrs.

Space, Form and Materials investigates three-dimensional visual experiences and the application of design principles to the creation of vital and expressive forms. Three-dimensional design techniques are studied through projects dealing with the development of ideas via handmade forms. Within the course, students receive an orientation to MIAD's 3-D lab which includes instruction in the proper and safe use of simple hand tools and power equipment. Prereq: Cons. of dept. Fee paid to MIAD. MIAD #[F130].

FIAR 1500. Visual Statement:. 1.5 cr. hr.

In Visual Statement courses students examine the means of visual communication and artistic expression. Each course emphasizes concept, process and creativity - exploiting subject matter and media as a means of obtaining conceptual goals. Students are made aware of the interconnections which link the visual arts. Prereq: FIAR 1300; cons. of dept. Fee paid to MIAD. MIAD # [F150-159].

FIAR 2000. Drawing 1. 3 cr. hrs.

Drawing 1 challenges the student with various complicated compositional problems. Technical proficiency and diversity are enriched through the use of familiar drawing media as well as aggressive experimentation with new media and manners of working. Additionally, the drawing experience is broadened by confronting a wide variety of drawing subjects. Prereq: FIAR 1000 and FIAR 1100; cons. of dept. Fee paid to MIAD. MIAD # [FA200].

FIAR 2010. Drawing 2. 3 cr. hrs.

Drawing 2 presents open-ended involvements which require students to determine their own artistic reactions, concerns and pursuits. In addition, anatomy of the head and neck is studied as an integral component to the expressive and inventive aspects of the portrait and the self-portrait. Prereq: FIAR 2000; cons. of dept. Fee paid to MIAD. MIAD # [FA201].

FIAR 2020. Animation 1. 3 cr. hrs.

This class is an introduction to the basics of animation, principles that can be applied to a wide variety of styles and technologies. Students will explore the unique qualities of the medium through a series of projects that can be adapted to their own personal interests. The course will provide the student with a foundation of skills that will prepare them for further study in the field. MIAD # [TB200].

FIAR 2030. Typography 1. 3 cr. hrs.

Typography courses provide the students with an understanding of the integral use of typography in the overall design concept. Type as a communicative and creative element is explored. Students become familiar with the organizational skills necessary for clear communication as well as the formative aspects of typographic symbols and arrangement. Typography I is an introductory course that focuses on the history and practice of using typography in design. This course will familiarize students with several methods for structuring type so that they might gain an understanding of how typographic variables and the principles of legibility and readability affect visual communication. Each student will be encouraged to develop their own personal awareness of and appreciation for typography; so that they will become equipped with the terminology, theory and practice necessary for making design decisions that facilitate understanding among their intended audience. Prereq: Sophomore standing. MIAD # [DS202].

FIAR 2040. Typography 2. 3 cr. hrs.

This course provides students with the continued use of typography within more specific design assignments. Type as a volume of text and the collaboration between text and image in print and digital media is explored. Coursework will enable the student to participate in an advanced study of typographic design. Concentration will be placed on exercises in and the analysis of the perceptual aspects of communication, the ways in which we derive meaning from and contribute meaning to our cultural environment through type. In other words, to explore and clarify the relationships between the spoken word and the published visual language of print and digital words. The continuum of Typography I and Typography II offers an advanced understanding of how typographic variables (placement, order of chronology, size, weight, leading, column width, alignment, style, orientation, and choice of typeface) and principles of legibility and readability affect visual communication. Logistical issues of planning and organizing paginated systems, information systems, and type in motion will also be presented. Each student will continue to develop the personal awareness necessary for making design decisions that facilitate understanding amongst their intended audience. Prereq: FIAR 2030. MIAD # [DS203].

FIAR 2050. Video 1. 3 cr. hrs.

This Time Based Media, video course, is an introductory course that deals with time, movement and sound as they relate to the media of video. Narrative, as a structuring component in a video, is also considered and explored. This course uses a variety of hardware and software for post-production editing. Students must have access to their own video camera.

FIAR 2060. Pre Production Design. 3 cr. hrs.

This course will involve the use of professional quality cameras and high end, non-linear video editing computers and programs. The goal of this course is to acquaint the student with professional equipment in order to refine their understanding of the video experience. This involvement will include projects that require a controlled environment and the use of multiple cameras as well as consideration for lighting techniques. Lectures on editing and scripting will provide the necessary understanding of what it means to work on a production standard video. The complicated issues surrounding the making of documentaries as well as independent video projects will be covered during the semester. Prereq: FIAR 2050.MIAD # [TB203].

FIAR 2070. Introduction to Sound. 3 cr. hrs.

Introduction to Sound covers issues fundamental to all time based media. The course will examine techniques and applications of sound as a component of time and motion based media. A variety of technical issues relating to recording and editing sound will be explored in depth. The theory and practical impact of sound is explored in conjunction with technical fundamentals. MIAD # [TB204].

FIAR 2080. Drawing for Animation. 3 cr. hrs.

Drawing for Animation is an investigation of kinetic forms through the act of observational drawing, digital manipulation and pencil testing. This visual exploration combines the perception and interpretation of kinetic objects, environments, and life forms. The course stresses the importance of observing, comprehending, and portraying the correct perception of motion and kinetics into an animated form. Prereq: FIAR 2050. MIAD # [TB207].

FIAR 2100. Figure Drawing 1. 3 cr. hrs.

Figure Drawing I stresses correct perception and understanding of the human form through the study of human skeletal anatomy. Anatomical concerns are complemented by experimentation with new media and compositional issues. MIAD # [FA210].

FIAR 2110. Figure Drawing 2. 3 cr. hrs.

In this course students begin to explore the expressive potential of the human form through complicated compositional manipulations and media applications. Prereq: FIAR 2100. MIAD # [FA211].

FIAR 2120. History of Modernism: Art. 3 cr. hrs.

Primarily an object-driven course, FIAR 2120 provides an in-depth study of modern and contemporary art makers and movements in the context of the critical, cultural and social issues surrounding them. Through intensive reading, writing, research, and oral assignments, students have the opportunity to study key figures, movements and theories. The course begins with a review of major trends in art since the end of the 19th century and follows with a close examination of art from the 1950s through the present day. Prereq: HIST 1201 and HIST 1202; cons of dept. Fee paid to MIAD. MIAD # [AH212].

FIAR 2130. History of Modernism: Design. 3 cr. hrs.

Primarily an object driven course, FIAR 2130 outlines major styles and trends in communication design, illustration, industrial design, architecture and interior architecture and design from the beginning of the industrial period to the present . Through intensive reading, writing, research and oral assignments, students have the opportunity to study the philosophical, social, cultural and commercial concerns of such primary movements as Arts and Crafts, Art Nouveau, Art Deco, and Post-Modernism within Europe, the United States, and Japan. Prereq: HIST 1201 and HIST 1202; cons. of dept. Fee paid to MIAD. MIAD #[AH213].

FIAR 2220. Painting 1. 3 cr. hrs.

Direct painting materials, techniques, and practices are introduced in acrylic and oil media. Working from direct observation, students are introduced to the formal visual principles emphasizing composition and color as elements of a stable pictorial space. Demonstrations, slide lectures and critiques support studio assignments and instruction in traditional and contemporary formats. Prereq: FIAR 1000 and FIAR 1100; cons. of dept. Fee paid to MIAD. MIAD # [FA220].

FIAR 2230. Painting 2. 3 cr. hrs.

Indirect painting and glaze medium and techniques are introduced and practiced within traditional and contemporary painting philosophies. Transparent color theories, perception and formal principles provide the basis for directly observed studio assignments. Slide lectures, demonstrations and critiques assist in developing an expanded visual vocabulary. Prereq: FIAR 1000, FIAR 1100 and cons. of dept. Fee paid to MIAD. MIAD # [FA221].

FIAR 2240. Water Media 1. 3 cr. hrs.

Transparent watercolor materials, techniques, theory and practice are introduced and explored working from direct observation. Formal principles are presented as elements of a stable pictorial space. Demonstrations, slide lectures and critiques support studio instruction. MIAD # [FA224].

FIAR 2250. Water Media 2. 3 cr. hrs.

Traditional and experimental techniques of opaque watercolor, egg tempera and other aqueous media are introduced and practiced. Traditional and contemporary water media philosophies are presented and discussed, with emphasis on color and compositional skills. Demonstrations, lectures and critiques augment studio assignments. Prereq: FIAR 2240. MIAD # [FA225].

FIAR 2300. Principles of Screenprinting. 3 cr. hrs.

Covers a wide range of screenprinting techniques using water-based inks. Various methods of creating an image on the screen will be covered, including photographic, block out digitally created stencils. While learning the proper screen preparation and competent use of the equipment, the course will focus on presenting important visual and conceptual problems relevant to the screenprinting process. Prereq: FIAR 1000 and FIAR 1100; cons. of dept. Fee paid to MIAD. MIAD # [FA230].

FIAR 2310. Principles of Relief Print. 3 cr. hrs.

Covers monochromatic and color relief-printing techniques using wood and linoleum. The students will learn the proper use of tools and equipment. The course will focus on presenting important visual and conceptual problems relevant to the relief process. Both traditional and contemporary approaches will be covered. Prereq: FIAR 1000 and FIAR 1100;cons. of dept. Fee paid to MIAD. MIAD # [FA 231].

FIAR 2400. Computer Studio 1. 3 cr. hrs.

This course introduces students to the general structure of the Macintosh computing platform and engages them in an intensive tool- and function-based experience with the current versions of QuarkXPress and Adobe Illustrator. Digital pre-press fundamentals are also introduced. Prereq: Jr. stndg; cons of dept. Fee paid to MIAD. MIAD # [DS230].

FIAR 2410. Computer Studio 2. 3 cr. hrs.

An introduction to the fundamental workings of the tools and functions inherent in the current version of Adobe Photoshop. Additional challenges include interfacing between QuarkXPress, Adobe Illustrator and Adobe Photoshop to create more complex documents, and advanced aspects of the digital pre-press. Prereq: Jr. stndg. and FIAR 2400; cons of dept. Fee paid to MIAD. MIAD # [DS231].

FIAR 2420. Materials and Methods 1. 3 cr. hrs.

Materials & Methods I focuses on the skills required to fulfill specific, increasing difficult conceptual objectives using a variety of materials and processes. Assimilation of information from lectures, demonstrations, handouts and studio experiences will be evident as students execute a series of increasingly sophisticated shapes, forms and structures in woods, metals, plastics and composition materials. Emphasis is placed on the safe and intelligent use of tools, particularly stationary power equipment. Materials and Methods I emphasizes the specific hand and power tool techniques necessary to develop controlled edges, surfaces and assemblies through a series of increasingly difficult design problems and using a variety of materials including plastics, woods, metals, adhesives, paints and fasteners. The processes of sketching many alternatives and refining one through mock-ups, moquettes, patterns and orthographic drawings accompany each assignment and form the bridge between concept and designed reality. This course is designed to work in tandem with Forms and Structures and communication between instructors regarding the specific nature of assignments as well as coordinating due dates is a necessity. MIAD # [DS240].

FIAR 2500. Sculpture: Casting & Carving. 3 cr. hrs.

Sculpture: Carving and Casting investigates specific sculpture techniques, methods, philosophical concerns, and ways of seeing/working that give personal expression to material form. The shaping of permanent materials such as wood and stone by reductive approaches conceptually contrasts and complements problems in introductory casting of metals and other materials. Demonstrations, lectures, field trips, readings and critiques will develop the student's awareness of historical precedents and contemporary sculpture issues. Consideration of the interrelationships among form, material, technique and content will hone student's ability to analyze their own and others work in critiques. Prereq: FIAR 1300; cons. of dept. Fee paid to MIAD. MIAD # [FA 250].

FIAR 2510. Construction: Metal & Wood. 3 cr. hrs.

This course is structured to provide students with a fundamental understanding of the process of casting metal and direct metal fabrication. The material transformation that takes place in the foundry during the process of casting metal contrasts and complements the manual techniques and methods of direct metal fabrication. Metal fabrication and foundry work share many of the same tools and techniques however each of these traditions of making ask sculptors to think in different ways. Appropriate use of the inherent qualities of process and materials is stressed. As choice of process and material are ideological decisions students will be encouraged to develop a knowledge and respect for the tools, techniques and material of choice. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [FA 251].

FIAR 2520. Figure Sculpture 1. 3 cr. hrs.

To understand human form in three dimensions, students begin by mastering manual/perceptual skills of direct rendering in clay from live models. A foundation of figurative realism will be gained by learning anatomy, proportion, structure, pose and gesture with an awareness of historical precedents. Clay plasticity can facilitate a dynamic liveliness. Basic methods of hand building such as coil, slab construction, and modeling are explored, followed by firing and finishing. The course includes using armatures, mold-making and casting. Weekly investigations of materials, techniques and content will be engaged through demonstrations, slide lectures, discussions, and critiques. Prereq: FIAR 1000 and FIAR 1300; or FIAR 1100 and FIAR 1300; cons. of dept. Fee paid to MIAD. MIAD # [FA 252].

FIAR 2530. Figure Sculpture 2. 3 cr. hrs.

Figure Sculpture 2 progresses from the skills developed in the first sculpture course toward more content-based work with concern for context. Diverse ways of interpreting the figure's planes, volumes, mass, structure, and movement initiate ideas about the figure as clear representation, abstract form, or metaphor. Assignments include a large body of work in clay, armatures, direct plaster modeling, multiples, body casting, mixed media and kinetics. Attention to surface, texture and finish is measured against questions of credibility. Serious research evidenced in work, discussions and critiques is emphasized. Prereq: FIAR 2520; cons. of dept. Fee paid to MIAD. MIAD # [FA 253].

FIAR 2560. Contemporary Practices Sculpture 1. 3 cr. hrs.

Contemporary Practices is both an introduction to sculpture and the backbone of our program. Our major objective is to identify sculptural core concerns and sculpture¿s expansive reach into all aspects of contemporary art. Building inquiry, research and interpretation into the practice of making art is the focus of this class. The combined sophomore and junior levels will foster a climate of inquiry and discovery from varying perspectives, levels and depths; gather, share and understand differing roles of skills; provide opportunities to challenge presumptions and learn from one another through mentoring; explore and cultivate dimensions of the art community. MIAD # [FA256].

FIAR 2600. Principles of Etching. 3 cr. hrs.

An introductory course to the following etching techniques: hard ground, soft ground, aquatint and drypoint. Covers the preparation, etching and printing from copper and steel plates. A wide range of visual concepts will be addressed, that pertain to particular characteristics of different etching techniques. Issues of composition, space, tone, texture and value will be emphasized. Students will be encouraged to discover their personal voice while learning principles of etching. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [FA260].

FIAR 2610. Non-traditional Intaglio. 3 cr. hrs.

Explores a technique of collagraph, a non-etch intaglio technique where image is constructed using various textured materials and the plate is printed either as intaglio or relief. This innovative method allows creating unique surfaces, use of cut plates, working in large format and combined intaglio and relief printing. Issues of composition, space, tone, texture and value will be addressed, with a focus on large format prints. Students will be encouraged to discover their personal voice while learning the principles of collagraph. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [FA261].

FIAR 2700. Principles of Stone Lithography. 3 cr. hrs.

Examines the basic methods and techniques of fine art lithography. All aspects of preparing a stone for drawing, as well as the printing process and editioning will be covered. Students will work using various drawing and lithographic tools. There is a strong emphasis on drawing, exploring a wide range of visual issues including composition, handling of materials and the investigation of spatial tonal and textural relationships. Students will be encouraged to seek and develop a personal voice, while learning rudimentary concepts of drawing and printmaking. Prereq: Cons. of dept. Fee paid to MIAD. MIAD # [FA270].

FIAR 2710. Principles of Photo and Plate Lithography. 3 cr. hrs.

This course is a continuation of Stone Lithography and Artist's Book. The students further their knowledge of stone, learning about color lithography, registration and editioning. The students will examine various traditional and contemporary approaches in digital imaging and computer application. Prereq: Cons of dept. Fee paid to MIAD. MIAD # [FA271].

FIAR 2800. Principles of Photography. 3 cr. hrs.

Introduction to photography. This course covers basic principles of all forms of photography, with an emphasis on black and white photography and using the 4x5 view camera. Projects encompass camera handling, film exposure and development, darkroom procedures, print finishing, and evaluation. Students investigate depth of field, motion, burning, dodging, spotting and print presentation. The history of photography from its invention to 1950 is covered in this introductory course. One hour of history lecture is required each week. Students must have a 35mm camera with adjustable aperture and shutter speed controls and a light meter. Prereq: FIAR 2810; cons. of dept. Fee paid to MIAD. MIAD # [FA 280].

FIAR 2810. Elements of Digital Photography. 3 cr. hrs.

Computer-based class for photographers. Beginning with the basics of image acquisition, manipulation and output, the course will progress to an in-depth exploration of image manipulation software and aesthetics specific to electronic photographs. The course provides essential skills for those anticipating a career in photography, and provides an opportunity to use the computer as a fine art tool. Individual creative pursuits are emphasized. Prereq: cons. of dept. Fee paid to MIAD. MIAD # [FA281].

FIAR 2900. Communication Design 1. 3 cr. hrs.

Fundamentals of communication design are introduced to the student with theoretical and applied studies in design, problem solving, communication, and verbal and visual presentation. Prereq: FIAR 1100; cons. of dept. Fee paid to MIAD. MIAD # [DS200].

FIAR 2910. Communication Design 2. 3 cr. hrs.

Fundamentals of communication design are introduced to the student with theoretical and applied studies in design, problem solving, communication, and verbal and visual presentation. Prereq: FIAR 2900; cons. of dept. Fee paid to MIAD. MIAD # [DS201].

FIAR 2920. Lighting. 3 cr. hrs.

This introductory course will provide an overview of essential principles, techniques, and tools for lighting a variety of situations. Demonstrations will take place both in the studio and on location. Through demonstration, hands-on practice and assignments, students will learn how to use lighting equipment and accessories and a range of light sources including tungsten, studio strobe, portable strobe, and daylight. Through slide presentations and discussions of printed matter, students will review examples of the direction and quality of light and discuss its function in the photograph. At the end of this course, students will have a repertoire of lighting techniques to heighten the expressive capacity of their work. Prereq: FIAR 2800. MIAD # [FA290].

FIAR 2930. Printing Processes. 3 cr. hrs.

In this course students gain an appreciation for photography¿s expressive possibilities so that they may use photography experimentally and creatively. Conventional black and white printing skills will be reinforced and piezographic (digital black and white) printing will be introduced and developed to the highest standard. Prereq: FIAR 2800 and FIAR 2810. MIAD # [FA291].

FIAR 2931. Topics in Fine Art 1. 1-3 cr. hr.

Prereq: Cons. of dept.

FIAR 3000. Drawing 3. 3 cr. hrs.

Students search, invent, embrace and develop individual concerns within traditional concepts. They work within broad parameters which promote and motivate drawing as a means to explore ideas rather than necessarily to arrive at a conclusive visual statement or goal. Prereq: FIAR 2010. MIAD # [FA300].

FIAR 3020. Information Graphics. 3 cr. hrs.

Information Design is communication design. It focuses on conveying clear messages to an intended audience. This objective can be applied to many forms of communication from charts and graphs to instructions, from maps and way-finding to interface problems. Information Design solutions should integrate previously acquired skills in design, typography, and image making. To be effective, they must use carefully considered elements, rather than complex gratuitous ones. This course will help students develop a strong design process. Students will effectively and efficiently research and assimilate information in order to understand and ultimately interpret what they have gathered. They will explore several ideas during the sketching phase that follows. They will edit content, create appropriate imagery and combine the two in harmonious compositions that are simple, effective and engaging. Students are expected to think critically about the content, their work, and the work of their classmates. They will participate in a dialogue about design in order to improve their work and their ability to talk professionally about the big ideas addressed through the class assignments. Prereq: FIAR 2030 and FIAR 2910. MIAD # [DS302].

FIAR 3030. 3D Computer Animation. 3 cr. hrs.

In this class, you will learn the basics of 3D modeling, rendering, and animation, as well as many difficult uses for 3D. The purpose of this learning is to create artwork, not just to mimic mainstream 3D animation seen on television and in films. Stylistic and technical experimentation will be emphasized. Prereq: TB201 MIAD # [TB302].

FIAR 3040. Packaging Design. 3 cr. hrs.

Students are introduced to the process of designing three-dimensional containers, individually or as systems for the mutual benefit of the end user and the manufacturer. Emphasis is placed on the graphics application of symbols, shape, color, illustration and typography and how they relate to three-dimensional packaging structures as well as the point of sale application of the packaging. Credits: 3 Prerequisites: FIAR 2030 and FIAR 2910. MIAD # [DS303].

FIAR 3050. Advertising Design. 3 cr. hrs.

This course is designed to familiarize the student with art direction within an advertising agency. Students learn the fundamentals of advertising, from a history of advertising, to lectures and seminars on marketing, research, account service, copyrighting, illustration, photography and self promotion. The focus will be the role of an art director or designer within an agency environment. Prereq: FIAR 2030 and FIAR 2910. MIAD # [DS305].

FIAR 3070. Water Media 3. 3 cr. hrs.

Emphasis is placed on the continued investigation of media and techniques as elements of an aesthetic vocabulary. Course assignments provide conceptual challenges and emphasize individual interpretation and exploration. Traditional and contemporary painting issues broaden the context of this exploration. Prereq: FIAR 2250. MIAD # [FA307].

FIAR 3100. Figure Drawing 3. 3 cr. hrs.

Figure Drawing 3 provides a thorough investigation of soft tissue human anatomy. The goal is to gain insight and awareness about the complexities of the human machine in order to facilitate sensitive and knowledgeable drawing. Prereq: FIAR 2110. MIAD # [FA310].

FIAR 3200. Painting 3. 3 cr. hrs.

Painting 3 continues the investigation of subject, technique and structure fundamental to expression and communication. Course assignments provide for individual interpretation and experimentation. Intentionality is introduced and codified. Readings further perceptual standards and modes of criticism. Students examine painting philosophies through individual and group critiques, slide lectures and invited guests. Prereq: FA220 and FA221, or DS213, or cons, of instr.

FIAR 3220. Figure Painting. 3 cr. hrs.

The human figure is introduced in both theory and practice. Working from direct observation, media, media application and technique options are explored and developed. Critiques, lectures and demonstrations augment studio instruction. Prereq: FIAR 2200 and FIAR 2210, or cons. of instr. MIAD # [FA322].

FIAR 3510. Integrated Studio Sculpture. 3 cr. hrs.

In the first semester the student will explore assemblage, installation, light, kinetics, and multi-media as embraced in contemporary sculptural language. Specific problems are preceded by readings, demonstrations of newer materials/processes, perceptual workshops, and experimental exercises. Acquisition of technical skills will be driven by the student¿s personal vision and guidance from the instructor. Conceptual understanding will emerge from the production of the student¿s own work, in conjunction with the application of a range of critical models. Prereq: FIAR 2500 or FIAR 2510 or cons. of instr.

FIAR 3520. Topics in the Expanded Field: Anatomy and Structure. 3 cr. hrs.

Students will begin to develop personal figure-based work while weighing and debating questions of the human body. Ongoing discourses in cultural meaning, medical advances and scientific inquiry may open to expression other aspects of human experience (health and disease, psychology, gender and identity). Knowing how characteristics of the human form relate to tools, vessels and architecture is particularly relevant to sculpture practice. Technical/material fluency will be achieved by focusing on one area of choice, such as a series or a life size full figure with attendant studies. Advanced student proposals and exhibitions provide a basis for debate and reference for critiques. Prereq: FIAR 2520 and FIAR 2530. MIAD # [FA352].

FIAR 3530. Topics in the Expanded Field: Body. 3 cr. hrs.

Serious students of the figure pursue rigorous anatomical knowledge and heightened skills of observation. The first eight weeks are devoted to a 1/2 scale full figure over welded armature. Working from a live model and research, the student will accurately progress from a weight-bearing analysis of the skeleton, to build up layers of muscle and tissue. Life size studies of hands and feet promote detailed understanding. Portraiture, introduced by a series of facial expression exercises, continues the sustained involvement. Self -portraiture will be used as a vehicle for exploring ones own nature as an artist. Field trips, presentations and research amplify studio inquiry. Critiques measure progress. Prereq: FIAR 2520 and FIAR2530 or cons. of instr. MIAD # [FA353].

FIAR 3540. The Material Aesthetic: Foundry. 3 cr. hrs.

The continuation of Mixed Media broadens to include students developing work in the medium of their choice with guided conceptual challenges. The making of sculpture is the discipline we begin from in order to learn and to know. By emphasizing studio practices/processes, personal motivation, and self-directed work, individual voice will develop. Technical problems are addressed on one-on-one consultations with the instructor; these issues then form the basis for group critiques that benefit the rest of the class. Readings, research, discussion, field trips, and visiting artists enhance understanding of critical issues, larger cultural and aesthetic contexts and encourage thoughtfully conceived and appropriately crafted sculpture. Prereq: FA350 or cons. of instr. MIAD # [FA354].

FIAR 3550. Topics in the Expanded Field: Public Art. 3 cr. hrs.

Working in the public realm or fulfilling commission work offers added horizons for artists. This semester will focus on outdoor, site-specific, large scale and environmental work. Students will create pieces in both permanent and transitory mediums supported by drawings, proposals and documentation. Concurrent with each assignment will be experiences that involve practical and technical communication, and, sometimes, community or political challenges that extend beyond the studio. Field trips and visiting artists, architects and city planners augment class presentations. Prereq: FA251 or cons. of instr.

FIAR 3560. Contemporary Practices Sculpture 2. 3 cr. hrs.

Advanced students will participate in the design on the course by identifying and investigating critical, complicated relationships among contemporary sculptural forms, choices of materials, modes of production, language and distribution. An added emphasis on professional practices in sculpture will further expand understanding of current art worlds. Questions such as how to make a living, how to navigate and contextualize ones practice, how to be part of a dialogue and engage in different conversations will be explored through a combination of critiques, site visits, exhibitions and conversations with visiting artists, critics, and other arts professionals.

FIAR 3580. Topics in the Expanded Field: Mapping. 3 cr. hrs.

In this special topic course, students will explore a shared single contemporary theme or issue through diverse, personal sculptural practices. The advantages of shared investigation upon individual conceptual growth will challenge the choices one makes in materializing ideas into new forms. Since the medium is open, the instructor will give technical assistance on a case basis. Critical questions about intent, context, discovery and meaning will be emphasized.

FIAR 3680. Advanced Printmaking Interdisciplinary Approach 1. 3 cr. hrs.

This course emphasizes the development of visual and conceptual ideas through the materials, tools, and chemistry of various printmaking processes. Techniques such as various intaglio processes, relief printing, screenprinting, lithography, and bookmaking, etc., are the basis for this course. Students are encouraged to expand their visual language and to advance in technical abilities and conceptual development as they begin to make choices in areas of concentration. The interdisciplinary approach in this course will allow students to combine various techniques in order to develop themselves as professional artists. Prereq: FIAR 2610. MIAD # [FA368].

FIAR 3690. Advanced Printmaking Interdisciplinary Approach 2. 3 cr. hrs.

In this course students have the opportunity to evolve a body of work thematically. Interdisciplinary approaches are encouraged. Students work in both traditional and contemporary processes appropriate to furthering the generation of image choices. Professional practices are addressed through visiting artists and master printers, professional portfolio development, and visits to print houses and museums. Prereq: FIAR 3680 MIAD # [FA390].

FIAR 3900. Photographic Problems. 3 cr. hrs.

This course investigates aesthetic and technical photographic issues. Themes of complex image-making, still-life and portraits are considered, along with requisite technical issues. Students also explore historical and contemporary aesthetic issues. They will produce photographs that demonstrate artistic intent. Prereq: FIAR 2930. MIAD # [FA390].

FIAR 3910. Photographic Voice. 3 cr. hrs.

The photographic voice is a course that examines the core issues involved in developing personal photographic vision. This course looks at how and why we are different from one another and how that translates into the medium of photography. Specifically this course will explore the impact of subject, format, process and presentation in developing personal vision. The value of traditional and non-traditional forms of presentation and contemporary approaches to image making through other mediums will be examined as part of the development of the individual photographic voice. Prerequisites: FIAR 2800, FIAR 3900. MIAD # [FA391].

FIAR 3931. Topics in Fine Art 2. 1-3 cr. hr.

Prereq: Cons. of dept.