Introduction to movement disciplines like Alexander, Feldenkrais, and Tai Chi for performers. Training geared toward relaxation, loss of inhibition, and ease of flexibility.

Emphasis placed on beginning ballet and classical dance techniques. No previous dance experience required.

Emphasis will be placed on intermediate ballet dance techniques. Explores the influence of ballet and classical dance techniques on a range of other dance forms.

Emphasis will be placed on fundamental modern dance techniques. No previous dance needed. Offered fall term.

Emphasis will be placed on intermediate modern dance techniques. Explores influences of other dance forms as used in modern dance. Also explores the influence of modern dance techniques on a range of other dance techniques.

Emphasis will be placed on fundamental African Dance techniques. No previous dance needed.

Emphasis will be placed on Intermediate African Dance techniques. Continues exploration of dance forms in the tradition of the African Diaspora. Explores the use of live drummer interaction with dance form.

Emphasis will be placed on fundamental tap dance techniques. No previous tap dance needed.

Continuation of DANC 2420.

The examination of the composition of dance forms and structures from a dance/movement perspective. Introduces choreography techniques.

Basic musical theatre dance techniques for actors and dancers. Movement and dance training geared toward developing an individual's movement potential to its fullest ideal. A study of various techniques of musical comedy dance and traditional dance forms.

Survey of dance history with particular emphasis paid to development of major styles of dance and dance achievements. Class includes movement and technique component.

Specific subjects of seminars to be announced in the Schedule of Classes. Variable topics.

Faculty-supervised, independent study/research of a specific area or topic in dance.

The application of rigorous methodology in developing and writing a thesis under the direction of an adviser.